Noah is a multi-instrumentalist, composer, and producer from Vancouver, BC, Canada who explores the effects of the deconstruction and abstraction of musical tunings.
There is a conception of music that focuses on the infinitude of microcosm, a view on optimization that believes in the beauty of imperfect parts. Gödel’s Incompleteness Theorem shows the limitations of formal systems; this music shows the inter-relation between formal systems and their physical (im)possibilities – the attempt of the finite to represent a shadow of the infinite.
Noah’s work is focused on the relationship of the boundaries of our perception with contextual, cultural, and physical relationships within sound. Playing games with relationships between instrument, musician, expectation, perception, audience, context, venue, formality, reality, frequency, time.